Showing posts with label gratitude. Show all posts
Showing posts with label gratitude. Show all posts

Tuesday, November 17, 2015

Grateful for Great Educators, and Great Freebies!

Marybeth at Brain Waves Instruction and Literary Sherri have done it again! 


DONE WHAT, you say? 


Why, gathered together an entire "near battalion"  of amazing, passionate, gifted and enthusiastic educators for your benefit, just in time for the Thanksgiving Season. Do you look like this? 




Well, if you don't, maybe I'm not explaining myself clearly enough!    

Sherri and Marybeth compiled TWO "Thanks & Giving" eBooks designed especially for Middle School ELA teachers.  Each book consecutively features a one-page introduction on the teacher-author, for example, what the person is grateful for. As befits the season, each Author Page is then followed by a specially created sheet, for you and your students, to be used as soon as you download! Each book features 25 teacher-authors, and 50 pages in all.  


So what is this "sheet" that I am getting? 
What that sheet is may vary according to the teacher-author! It might be a student graphic organizer, a quiz, a game, a worksheet, a helpful skills reminder, or something useful for the teacher, etc.

You have the opportunity to learn about the teacher sellers, and receive a free gift from each one.  

In total, each book is filled with 52 'Thanks' and 'Giving' pages! Are you feeling grateful yet? By all means visit Literary Sherri 's store, and Marybeth over at Brain Waves Instruction. Please, say thank you! After all, it is a "Thanks and Giving" eBook, is it not?  They make the magic happen!
And you're in a for a real treat, too, since all authors name a person and resource at TpT, right now, that they find truly exceptional. 


So How Do I  Start Downloading this great free stuff? 

Do you teach Grade 6, 7, or 8? 


Features so many wonderful activities for Grades 6 - 8. Inside you'll find a freebie by me (that's yours truly!)




And remember, once you download....say a big thank you to Sherri and Marybeth! It is, after all, Thanksgiving. 




Wednesday, March 12, 2014

Synecdoche, Metonomy, and Simile, Oh MY! - Usual and Extraordinary Figurative Language Lessons



We all know how fun writing can be.
And we all know how CRAZY it can drive you when you are either
A. looking for that correct trope or device, or
or B. looking at those papers and realizing that God bless those students, they certainly have zeal but perhaps they lack finesse.



If you look at the product above, it is my newest writing product with SEVEN writing activities in it, reusable up to THIRTY TIMES! It is filled with the introductory information you might come to expect just by having read this blog:
  • A full glossary including thorough explanations on: character, characterization, flat, round, static, and dynamic         characters, direct and indirect characterization, sidekick, doppelganger, protagonist, antagonist, villain, foil, and show don't tell.
  • Hand outs specifically on Show Don't Tell (a master overview with guidelines and examples)
  • The differences, uses,  and pros and cons of Direct and Indirect Characterization, titled "Direct Versus Indirect: Is One REALLY Better Than the Other?"
  • Easy Reference "TIP SHEET" for Direct and Indirect Characterization for use when writing
  • "I Can READ 'em Like a Book: Writing Emotion Into A Scene Using Indirect Characterization" (7 Uses)
  • Character Data Sheets! Unlimited Uses - 3 powerful, inspiring pages to get you started on that character-driven story.
  • Character Expansion Task Cards - 12 Uses! Read the Card and get down to business!
  • Stock Characters - Defy the Mold!
  • Indirect Characterization Writing Exercise - 4 Uses
  • Guided Visualization (Great Fun, great results)
If you are interested in this handy writing item, by all means, check it out at


But NOW a QUESTION? How to PROPERLY USE FIGURATIVE LANGUAGE? How much is too much? When and Where to Use it? 
A writer writes. This is even more true for the budding writer. And sloppy, messy, purple prose writing is probably BETTER than weak and anemic writing. The goal is to just keep writing, just keep writing, and yes, just keep writing. I think I mentioned how a Pulitzer-prize winning author told me how he had three novels shoved unceremoniously in his closet and a hundred or more short stories in his desk - ALL REJECTED?? If this is not proof positive, and hope eternal that students and teacher-writers both should simply soldier on. . . well I don't know what is! In short, with practice, we all improve!
      Your little freebie for today is DOUBLE. Number ONE. . . a validation of writing. This is found on my Teachers Pay Teachers site. Yes, you can SEE it here. But if you click on the link below, you can go and get it, too. It is beautiful, and it is also life affirming and "write-affirming."






There is ONE more from that pack… if you go to the store. . . it is inside the download!!
MY second Freebie is information and THE TITLE OF MY POST. I know, I save the best for last. But it’s all a lovely process, just like learning, writing, teaching, and life, I suppose.
USUAL and EXTRAORDINARY FIGURATIVE LANGUAGE
Cliche and Idiomatic Expression -
1. Cliche – What’s great and terrible about cliches is that students are familiar with them, and yet, not at all aware of how prevalent they are, as many of them have now become “figures of speech” that can work their way into our writing style and affect the writer’s voice.  The worst part of cliche is that while it can be fun to teach and review in class, this is NOT something we should aspire to have in our writing, even in dialogue. The same is true for our students. Earlier in my career, I advised students that perhaps their characters used cliches, but the longer I live my life as a reader of great fiction, the more I realize that I fall in love with writing and characters that are odd, quirky, original, and those things that are singular and that have the feel of elevated artifacts. That is a tall order for ANY of us. While it may feel impossible to accomplish. It may well BE impossible to accomplish. But it is a noble goal.  Therefore,  while using hackneyed, everyday and cliched language is often unavoidable because it nearly a reflex, we do ourselves and students little service to encourage the practice. On the first day of High school or university teaching, I encourage students to write the WORST they can, using cliches and every bad writing element they know. Then, we try our best to move on.
2. Idioms – Idioms can be confusing to us, to students, to EVERYONE. A fantastic product I really should make up would differentiate between cliche, idiom, proverb, and maxim. I believe there are even more! WRITE IN and share your thoughts. . . An exercise in which each in defined, examples are given and students are  encouraged to use each properly or invent their own would be a great lesson.
3. Hyperbole – this is a fancy term for “exaggeration for emphasis” – it has some great uses in fiction. While you are using “exaggeration for emphasis” you can make your hyperbole work double or triple time, though! It can be used by narrators speaking over confidently or hyper critically about their characters or setting;  I’m sure you know already that the author’s attitude is called the tone, and the narrator’s depictions of the setting and surrounding environment may affect the mood and atmosphere. What this means is that if the narrator is using hyperbole (positive or negative) about the characters it must affect the tone or give us an indication of the author’s attitude towards the subject being written about. And, when the narrator describes the setting, (for example, if it is exaggerated in its gloominess), this certainly will add to the mood and atmosphere! I bet you didn’t think  hyperbole could do all that!
              It gets BETTER! Hyperbole may also be used in dialogue for those characters who are literally exaggerating, which reveals much about their personalities. This is, as I am sure you know, just one of the seven methods of indirect characterization. (aren’t you glad you kept reading!) It can go a step further and become a plot device once the characters use hyperbole in dialogue in order to GET something. For example, if, at a ball or party, male characters are in the home of a lovely woman who just so happens to the only wealthy and unmarried woman left in this portion of the country, that may not mean much. When each decides to speak a little dishonestly, adding little bits that are beyond his abilities, talents, holdings, etc. it would be safe to say that each has stepped forward into the rising action of the plot; each will attempt to marry her, and it was through his hyperbolic speech that we can know his intentions.
The last example is quite singular, though an interesting one, and the idea of using hyperbole for a plot device is not new. In any case, there may be other ways in which hyperbole is used, whether for comic effect, insult or other – but these few suggestions alone provide a glimpse into how this figurative language can affect a story. I hope you see the possibilities!
TOMORROW or Friday, LOOK OUT FOR PART TWO of SYNECDOCHE,  METONOMY,  and SIMILE OH MY!!!

Wednesday, January 15, 2014

A love letter to creativity in general and creative writing too

I have often lamented the loss of art, music, creative writing and other creative arts in the school system. I also tire of the never-ending struggle to keep these classes, the anxiety about funding cuts, or the feeling teachers have that they need to "justify themselves" when they add creative elements that may "detract" from other lessons deemed more essential.

I am astounded that some people still think creativity = easy and bad. Is learning a musical instrument and musical notation easy? Is writing a short story easy? I can attest, as can many of my students (and I'm sure you can as well) that creative tasks require more of your faculties and brain power, a wider array of skill sets, and both sides of your brain than many other tasks do.

I was once accused of not teaching properly, or sufficiently, when I introduced my high school students to children's books. It was a fiction class. The goal of this particular activity was to have the students analyze a number of children's books and picture books and come to series of conclusions about the way these books are written, their font size and placement, etc. in order to learn and then create their own complete creations. The department head only thought I was making a "dumbed down" and "inappropriate" lesson. She thought I was asking them to "write at a kindergarten level" - after all the parents expected a lot more than "Dick and Jane are friends" for sentence structure! She really missed the entire point: creativity, critical thinking, owning the entire process. Clearly I am glad to not be there anymore.

If she misunderstood me, and this was an activity in a sanctioned fiction writing course, I can't even imagine the degree to which other teachers are being maligned for attempting to encourage students to be creative and write stories in regular classrooms.

Turn that Negative into a Positive. . .

Creativity is the most important tool we have in our arsenal against indifference.

Whether we teach math, geography, science, history, art, or physical education and health, we can be creative and fun ourselves, which is how we bring wonder and excitement into the classroom.

What about Creative Writing? Isn't it Just a Waste of Time?
I think this has me a little angry.
I can't tell you how difficult it is to write stories and poems, and to write them well.  True poetry writing and fiction writing aspires, has goals, is work shopped, is graded. While it can be exhilarating, exciting, and great fun, it is challenging and can be frustrating as well. And at times, it is just plain difficult. There are rewrites. The students get stumped and feel challenged.

Story writing is even MORE complicated than the very best of essays and papers. Stories are dynamic and there is no such thing as "how to write a story." No, no formula, despite that drawing of a nifty little "arc" in those fiction writing books. Every single story is unique and varied and is organically derived from the student. There are threads, through lines, dialogue, one character or many, various settings that might or might not occasionally forward the plot, and an arc of some type. One must think of foreshadowing, mood, and must describe clearly. 

Sometimes, students will even do research in order to know more about the topic they are writing about. In fact, the research is not a big deal in the way the "research paper" is; writing a good story is so involved that doing research is usually just background to the story they are telling. Research is simply a part of the job!

So I ask you. REALLY? Fun but a little too easy? A waste of time?

A Comment on the Essay

So writing stories is easy and a waste of time (I haven't even told you how hard it is to write a poem. Maybe another day). Essays and research do not hold high court in the world of words and meaning. In fact, the more capable students are in a multiple of forms, the better. What is difficult about research is thinking critically, making original points out of the points out there, and less so, notating. All of this should be done often and regularly. And, so should many other forms of writing, including poetry, argument, story writing, and OTHER forms. Hey, how about REAL letter writing? Remember that? Now that's something we should all blog about! How's that for a lost art form?

Creative Writing - Of Immense Value - NINE SKILLS (and maybe more)
Of course there will be a transfer of skills. This is not the difference between skiing and learning French.
  1.  Learning to organize thoughts,
  2. create full sentences, paragraphs, and to a certain extent,
  3. argue,
  4. look up background information that will be used in the work,
  5. use logical order and
  6. explain things in a clear way, 
  7. practice economy, and
  8. obey spelling and
  9. grammar rules
are just a few of the transferable skills students will learn through storytelling that will prove a boon when it comes time to writing a paper. In fact, students may even be more motivated to improve if they are working on stories.


I Leave You With This
 
 


Is THIS Why Folks Say It's a Waste?
Don't Judge a Book by it's Paper Bag Cover?
If you look above, I guess if you saw me bring these things into class, and you weren't very open minded, you'd think I was playing games and not challenging my students. You'd think I was going to read a newspaper or something while they fiddled around and then got bored. You would certainly not think I would be engaged the entire class, and that the students would be engaged. You'd never believe this was serious "life or death stuff," ending in a workshop dealing with full length stories about super spies, wars, and other heavy stuff. But you'd be wrong!

 I've mentioned this activity before - It is the SUPER SECRET - 4-SENSES Writing Activity. Take all of your little treasures and garage sale finds, and put them in brown paper lunch bags.

Step one. Students choose only by feeling. Write a description using only touch.

Step two. Take it out and LOOK! Now you can write about what it is and describe it.

Step three. Now only use metaphors and similes.

Step four. Your object isn't what you think. It is a weapon, a spy device, a portal to another dimension, of incalculable worth, has a long story of excitement and adventure, has a spell on it and a story only YOU know, has the ability to heal two warring peoples (offer other suggestions). TELL the full and complete story of this object the day you main character finds it or gives it away.

PS. This is a paid-for product on TPT, (there is extra of course in that one)...but I'm illustrating a point.  The students are pushing to use figurative language, they are using outside of the box thinking, (other senses in order to write, such as feel, and in the paid for version, they are instructed to use sound, etc.),  and they are surprised and told to switch gears. They feel internally motivated to write because they have a lot of options to choose from and it feels very immediate and very cool to them that what they are being presented with is something different. They "play along" - I've even done this in colleges, and they do it willingly. It somehow opens something up in them, and all of the NINE SKILLS are still being used, ready to transfer when you want them to write that argument essay.

God Bless, and happy teaching.

Gina

Friday, December 6, 2013

The Importance of Gratitude, During the Holidays and Year Round.

I've been a teacher for many years. Part of this time was spent as a Peace Corps Volunteer in Ethiopia. Years later, I am married, living in New Jersey, and creating teaching and writing materials for teacherspayteachers.

While I was in the Peace Corps...and anyone who spends their time in service I am sure can understand...that realizations assault you at all turns. Even the realizations you have at the beginning are questioned towards the end as you grow into a new person. It is true: the more you give to others, the more you receive in return. You often receive more than the people you help.

Throughout the many years of teaching, in New Jersey, as a tutor, adjunct professor, or high school teacher, and in Ethiopia at the high school level (grammar and English), I feel truly humbled.  It is an honor to teach and to be of service. I know. This is something people say all the time. "It's been an honor." You wonder, "What does that mean? That is just so disingenuous!"

But it IS an honor to help others. It is wonderful to be powerful, a mover-and-shaker, and an entrepreneur in the great and exciting world. But it is a gift to be able to help others, if only because you receive such a depth of satisfaction. It is humbling to know people in a more intimate way, to be allowed to help them, and to feel the reward knowing you had some small measure of agency in helping them grow or improve. THAT is why it is humbling and an honor. That is why to say "It's been an honor" is honest and not a lie.

To be a nurse, a teacher, anyone who helps others, and yes, a person who creates and makes things and puts them new into the world can feel this kind of gratitude about life and the work they do...


BUT HOW TO SUSTAIN A SENSE OF GRATITUDE IN YOUR JOB?
How do you keep feeling this way, when your students don't do their homework, the other teachers are really keen on entering your classroom to complain, the parents keep insisting their child did SO much better last year, implying it just might be your fault, or the upper management is not being nearly as supportive as you'd like?

The key to keeping a sense of gratitude is keeping above the daily grind, the annoyances, the pesky irritants.  Focus on why you ARE a teacher, what you love, and what you have and are grateful for.
Know why you are a teacher and be grateful for that, for your students, for all of the things you are, and can do and can change in the world and in your class. If you focus more on what you are thankful for, you will be happier and more productive. Also, you will concern yourself less with those things that annoy you and cannot be changed. Superintendents may come and go. Do you want to be grateful for the new books, the student who finally came out of her shell, and the angry student who did her homework every day this week, or do you want to feel shortchanged because the Superintendent changed the rule and now everyone has to go to school? Remember that you have chosen this job. If this is the case, you are free to "un-choose" it. Would you really do that? If not, then your time would be better spent HAPPY and grateful for what you DO have, and spent thinking about what you can do to make it even better.

HOW TO SUSTAIN A SENSE OF GREATITUDE IN LIFE?
To focus on what one DOES have, instead of what one WISHES to have, what one WANTS, what one does not have or worse yet, what others have, is a recipe for disaster. The idea of being grateful, in oneself, for what one has, to God, or for one's family or situation, very much seems saccharine and corny and also THEMED for the Thanksgiving and Christmas rush, conveniently sandwiched in between pumpkins  in October, and the need to join your local gym in January. Nothing could be more off or slant.

The happiest people are those that take time. Time to breathe and to realize "I am here, alive, and breathing. And right now all is exactly as it should be." Though this is for writers, teachers, designers, creators of all stripes, EVERYONE should know that all you have is enough. If you have a person to love, if you have food on the table, if you are warm enough at night, and if you can find some joy in the work that you do and the things that you create, be grateful for it, and practice focusing on those things that you DO have. The world will notice! You will notice, your family, customers, students will notice. And if gratitude is something you only do for a day, when then shame on the advertising executives.

GRATITUDE CAVEATS
PLEASE, don't misunderstand. I fall off the wagon all the time. Being grateful takes practice. My husband drives me crazy. I drive down the highway and someone veers over into my lane. While I usually feel bad because I just know through this Italian intuition of mine that it has to be an old person who can't drive very well, on this particular day I am incensed and frustrated and yell out in my car "Oh Yeah? Sure, why don't you just drive wherever you feel like it?"

Then I'm in Shop Rite, notorious for having small aisles (is this just near me?) and of course I'm in a rush and people love planting their cart in the center of the aisle to just stand and stare. This doesn't even make me upset. It's the maneuvering of the cart around them; there are always boxes of food not yet put away. Then another shopper shows up, and looks as me as if I'm in the way.

THE TAKE AWAY
And yet, I too try to feel grateful. In the end, character is what you do when no one in looking. No one may truly know if you practice being grateful for others year-round. But inside, you will know. You will feel lighter and happier. The carts and cars, the people by the water cooler or coffee station may simply not bother you as much. There is a freedom in that. And we return to the beginning, in doing something for others, we will get much more in return. Freedom, happiness, peace of mind? I'll take that everyday and twice on Sunday!